When Allen & Heath announced a new generation of its popular QU series, industry insiders took notice. The new QU line—featuring the QU-5, QU-6, and QU-7—sports a dramatically reimagined chassis that replaces the utilitarian look of the past with a more professional anthracite finish. But this update is far more than skin-deep.
At the heart of the overhaul is Allen & Heath’s high-performance XCVI audio engine, bringing the new QU consoles in line with the brand’s flagship capabilities. Running at 96kHz and equipped with six studio-grade Multi-FX engines (each with dedicated returns), the QU-5 stands as a formidable contender in the compact digital mixer category.
The redesigned interface centers on a dynamic 7-inch capacitive touchscreen, supported by luminous channel strips, four customizable layers, and eight programmable keys for intuitive fingertip control. Motorized 100mm faders and a minimalist channel layout further enhance workflow. And under the hood? Sixteen digitally controlled, ultra-low-noise mic preamps designed for pristine clarity and analog warmth.
Connectivity options now include a versatile USB-C audio interface and SD card recorder. The new models are available both as standalone units and with integrated Dante networking, catering to users operating in Dante-equipped environments.
Model Rundown:
- QU-5 – 38 channels (Dante optional)
- QU-6 – 38 channels (Dante optional)
- QU-7 – 38 channels (Dante optional)
Yet while the performance leap is undeniable, pricing across the line has drawn criticism. With the QU-5 (non-Dante) launching at $1,999 and the QU-6 at $2,999, the cost jump is hard to justify. The top-tier QU-7, priced at nearly $4,600 with Dante, finds itself entering the territory of more advanced mixing consoles from other respected manufacturers.
A Crowded Market of Competitive Options:
In a segment where rivals are rapidly refining their offerings, the QU series faces stiff competition:
- Soundcraft SI Impact – Still a benchmark at $3,309, offering more features out of the box.
- Yamaha DM3 – Starting at $1,699 ($2,099 with Dante), this is a versatile, studio/live-ready unit.
- Behringer X32 Producer – A budget-friendly workhorse at $1,249.
- Midas M32R – Renowned for audio quality at $2,199.
- QSC TouchMix 30 – Compact and cost-effective at $1,499.
In terms of FX quality, Midas remains the gold standard, followed closely by Soundcraft and the newly upgraded QU series. Behringer and QSC trail behind in this regard.
Much like the Canon vs. Nikon debate in photography, the choice between Midas and Soundcraft often comes down to environment: Midas shines in open-air festivals and live stage settings, while Soundcraft functions like a Swiss army knife—equally at home in studio pre-production and high-end venues. Allen & Heath positions itself somewhere in between, particularly with this QU refresh.
Backward Compatibility and Ecosystem Considerations:
Apple users will appreciate the plug-and-play compatibility: thanks to CoreAudio, no drivers are needed on Mac—just the correct USB-C to USB-A cable. And for those not operating in a Dante environment, the value proposition of the QU line becomes questionable, especially with older QU models still available on the market at reduced prices.
Final Verdict:
- Design: ★★★★★
- Features: ★★★★☆
- Connectivity: ★★★★☆
- Ease of Use: ★★★★☆
- Price: ★☆☆☆☆
- Overall Score: 3/5
Conclusion:
While Allen & Heath’s new QU series dazzles with design upgrades and sonic improvements, its steep price tags make it a tough sell. In today’s market—where digital mixers are more accessible, capable, and competitively priced than ever—the QU line may need to rethink its value proposition if it hopes to keep pace.
Would you like a comparison table of all models mentioned, a recommendation tailored to your needs, or a deeper look at the QU series FX engines?
Bayou Blue Radio
July 3, 2025